The shawshank redemption—both film and short story from which it came— presents an incredibly well-crafted argument, a solid example of problem-solving in an understanding that appreciates the various perspectives at conflict and brings them together into one seamless and purposeful model of human psychology. The shawshank redemption is a masterpiece of literature and cinematography its author is stephen king, and its film director is frank darabont.
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Shawshank redemption is a spectacular movie full of excitement and it contains many dramatic scenes which have a very large impact on the atmosphere and the audience the film is truly amazing as it will make you think about the geniuses that made the story it will definitely leave you wanting to see it. This article explores a dramatic representation of the prison (the shawshank redemption) through the lens of freud's (1919/1955) notion of the uncanny and bachelard's (1958/1994) poetics of domestic space incarceration, as depicted in film and television, reinforces the `place myths' of the prison.